Wednesday, May 30, 2012

Milk Glass

Hope you all had a safe and happy Memorial Day Holiday!  Here is an article on Milk Glass.

Milk Glass

Thanks to Collectors Weekly for this article!
Milk glass has been around since the 16th century, but the term itself was coined in the 20th century to describe the opaque white plates, goblets, serving items, and decorative objects that became popular in the late 1880s.
France was the first place milk glass came into vogue, and 19th-century French milk glass is highly collectible today. By the early 1900s, milk glass was a symbol of the style and taste of American households enjoying the fruits of the Gilded Age. These privileged individuals filled their homes with milk glass produced by 19th-century U.S. glass manufacturers, including New England Glass Company, Bryce Brothers, Gillinder & Sons, and Atterbury & Company.
Milk glass plates are one of the most popular collectibles from this era. One particularly rare plate featured the face of George Washington and had a border of thirteen stars. Other plates sported relief portraits of Christopher Columbus at their centers, and in 1908, plates were produced to help spur the presidential campaigns of William Jennings Bryan and William Howard Taft.
Regardless of the imagery at its heart, whether it was relief flowers or painted birds, the borders of milk glass plates were often pressed or molded to resemble latticework or pinwheels. Some edges were scalloped, others were beaded like frosting on the rim of a wedding cake, and a few were even smooth and round, with undecorated centers to go with these uncharacteristically understated edges.
Platters were a step up from plates—unlik edinnerware, which demanded a certain minimum level of functionality, platters could go all-out when it came to decorative effects. The relief on a rare Lincoln platter from the late 1800s is so great that it must have been used exclusively as a commemorative object. At the other end of the utility spectrum were waffle platters, whose gridded surfaces resembled those of the popular breakfast item they were designed to carry. Somewhere in between was the retriever platter, which depicted a three-dimensional dog head breaking through cattails at the bottom of the platter.
For objects such as serving dishes, milk glass was often pressed so that its surface had a diamond-cut pattern—collectors refer to these as Sawtooth pieces. Atterbury was especially well known for its covered Sawtooth dishes in the shapes of ducks, fish, and other animals. In fact, Atterbury made so much milk glass that the company’s Pittsburgh factory was often referred to as the White House.
In a class by themselves are the covered serving dishes, whose tops resembled roosters, chickens, hens, and swans, as well as lions and other less domestic beasts. Sometimes people were honored by having a bust of themselves cap a casserole dish, although the ones made for Thomas Dewey failed to elect him president. More successful were the Atterbury cats from the 1880s, which had real glass eyes.
Jugs and pitchers were another favorite form for milk glass. Geometric and basket-weave reliefs graced the outsides of these handsome objects, and Hobnail patterns were very popular on everything from flower vases to syrup jars.
During the Depression and into the 1940s and ’50s, milk glass lost some of its luster as a symbol of domestic status. Respected glass companies such as Akro Agate, Westmoreland, Fenton, and Fostoriamade milk glass, but the style seemed a throwback to an earlier, fustier age.
Akro Agate made powder jars, whose lids were in the shapes of Colonial-era women wearing billowy dresses. Fostoria made a pink version of milk glass, while Westmoreland made things like covered dishes whose tops and bottoms formed a kneeling camel. It was all very charming but seemed out of step with the evolving styles of the day.
Despite this, some companies actually made a name for themselves with milk glass. In particular, Fenton’s line of Hobnail milk glass—from fan-shaped vases to toothpick holders to candlesticks—became the company’s flagship pattern in the 1950s. Indeed, the company’s prodigious output and success with Hobnail milk glass contributed to a resurgence of interest in this retro form during the early 1960s.

The A.G.C.A.P. Dealer of the Month for May is Patsy Bienvenu.  Patsy specializes in Jewelry, Collectibles, and some furniture.  Her booth is located on Aisle 1 North Booth B-7.  Make sure you stop by and look at all she has to offer.  She has some unique items!  See the photo below of some teacups. 


Now for the ASK OUR EXPERTS.  This semi-annual event is taking place on Saturday June 16, 2012 from 11:00 a.m.until 3:00 p.m.  Make sure you stop by and bring your items.  Flyers are posted through-out the Antique Mall, or ask a cashier for a flyer! Below is the updated pricing!

Cost is $5.00 per item. (SEE BELOW)  No limit on # of items!
1st Item is $5.00 Items 2 & 3 are $4.00 each 4th and over items $3.00 each!


The BLOG SPECIAL OF THE WEEK IS BACK!!!!!! This week from Thursday May 31, 2012 until 6:00 p.m. on Wednesday June 06, 2012 if you buy an Antique Gallery Cookbook, you get one FREE!.  Just use the code YUM YUM.

Remember OUT WITH THE NEW AND IN WITH THE OLD BUY ANTIQUES!!!!!!!!!!!!!!!!!!!

Wednesday, May 23, 2012

MEMORIAL DAY SALE THIS WEEKEND!!!!!!!

The Antique Gallery of Houston is having a GIANT Memorial Day Weekend Sale.  There will be lots of great deals to be had this weekend Friday-Monday May 25-28,2012.  Look for the sale sign in each dealers booths with discounts ranging from 10% to 75% off of green tagged items.  Hope to see you there.

Now for the ASK OUR EXPERTS.  This semi-annual event is taking place on Saturday June 16, 2012 from 11:00 a.m.until 3:00 p.m.  Make sure you stop by and bring your items.  Flyers are posted through-out the Antique Mall, or ask a cashier for a flyer! Below is the updated pricing!

Cost is $5.00 per item. (SEE BELOW)  No limit on # of items!
1st Item is $5.00 Items 2 & 3 are $4.00 each 4th and over items $3.00 each!

The A.G.C.A.P. Dealer of the Month for May is Patsy Bienvenu.  Patsy specializes in Jewelry, Collectibles, and some furniture.  Her booth is located on Aisle 1 North Booth B-7.  Make sure you stop by and look at all she has to offer.  She has some unique items!  See the photo below 
Due to the huge sale there will be no Blog Special this week.

Hope you and your family have a Safe & Happy Memorial Day Weekend and remember..........

OUT WITH THE NEW AND IN WITH THE OLD BUY ANTIQUES


Wednesday, May 16, 2012

The A.G.C.A.P. Dealer of the Month & Costume Jewelry

The A.G.C.A.P. Dealer of the Month for May is Patsy Bienvenu.  Patsy specializes in Jewelry, Collectibles, and some furniture.  Her booth is located on Aisle 1 North Booth B-7.  Make sure you stop by and look at all she has to offer.  She has some unique items!  See the photo below
Just look at that gorgeous jewelry she has.  Be sure to stop by and look!

ASK OUR EXPERTS

You asked for it and now it is back! ASK OUR EXPERTS Appraisal Fair will be held Saturday June 16, 2012 from 11:00 a.m. - 3:00 p.m.  Cost per verbal appraisal will be $5.00 per item with NO LIMIT on the number of items you bring!  Keep checking back for more info! 

Costume Jewelry  (Thanks to Collectors Weekly for this article)

The term “costume jewelry” was coined in the1920s, but jewelry and ornamentation made out of non-precious materials have been worn since ancient times. While it is sometimes labeled as “junk,” “fake,” or "fashion" jewelry, costume jewelry often incorporates workmanship and materials on par with, or better than, fine jewelry.
The 20th century brought about a sea change in how jewelry was perceived and used. Before then, women adorned themselves with jewelry made of precious and semi-precious stones and metals as a means of flaunting the wealth of their husbands. Therefore, jewelry was mostly worn by the rich to convey their standing in society, although it could also symbolize one's religious affiliation, the state of a romance, or a period of mourning.
But early in the 20th century, thanks to new materials and industrialization, fashion designers started to experiment with jewelry as an expression of style and creativity, using non-precious materials so that pieces could be bigger and bolder, in line with the Art Deco style and flapper fashions that were emerging. Because these pieces were made of inexpensive materials and not meant to be keepsakes or heirlooms, they could be more trendy and outrageous, tossed out or replaced when a particular look went out of fashion.
In a way, the roots of this movement can be traced to the 17th and 18th centuries, when Europe’s collective lust for precious gemstones, in particular diamonds, prompted many jewelers to look for more affordable substitutes in glass. In 1724, a young jeweler named Georges Frédéric Strass developed a special leaded glass known as paste that could be cut and polished with metal powder so that it seemed to twinkle like a diamond in candlelight. Before long, his “diamante” creations were all the rage in Parisian society.
Under the influence of Queen Victoria and her tragic romance, 19th-century women took to wearing jewelry made with non-precious materials such as paste, mirrored-back glass, human hair, and black jet for specific, sentimental reasons such as romance or mourning. Then, by 1892, Austrian jeweler Daniel Swarovski developed his coveted fine crystalrhinestones, made with high-lead-content glass and a permanent foil backing. This allowed his rhinestones to effectively imitate the facets and luster of any gemstone, from diamonds and rubies to sapphires and emeralds.
Still, the concept of costume jewelry, per se, wasn’t introduced until the late 1920s, when Coco Chanellaunched a line of bold “statement” accessories. Made to look like large flowers or frogs, these pieces were meant to be worn like art rather than as indicators of wealth. Her jewelry was wildly different from anything that had come before—it was a tremendous hit. Riding the same wave of inspiration, Elsa Schiaparelli created a line of jewelry with large fake stones on bold bracelets whose designs were inspired by the Dada art movement.
Much of this new fad-oriented jewelry was made out of a new hard plastic material called Bakelite, a plastic resin invented by Leo Baekeland in 1907. Bakelite could be produced in bright colors, which were given fun names like Apple Juice, Butterscotch, and Salmon. Wildly popular in the 1930s and ’40s, Bakelite was hard enough to be carved and polished into all sorts of intriguing shapes for beads andbangles.
The trend for big, angular, and chunky bangles started with the late ’20s flappers, who would pile them up their slender and scandalously bare arms. Initially made of ivory, the bangles trend, which lasted well into the ’60s, soon became dominated by new vibrantly colored plastics like Bakelite and Lucite.
Even more abstract jewelry emerged from the ’30s and ’40s art movements, too. Influenced by Bauhaus, Futurism, Cubism, and Abstract Expressionism, as well as new industrialization and Rosie the Riveter, designers produced heavy, armor-like cocktail jewelry using chrome, gilt metal, or large stones imitating the rhythm and movement of an assembly line. Some of these pieces were even meant to resemble ball bearings, screw-heads, nuts, and bolts.
At the same time, other top costume jewelers likeEisenbergTrifari, and Hobe kept things dainty and delicate, making impressive imitations of fine jewelry like Cartier diamonds as well as their own stunning bracelets, necklaces, earrings, and brooches.
Stoking the interest in costume jewelry was the emergence of Hollywood as a fashion trendsetter. In particular, movie-set jewelry like Eugene Joseff’s creations for “Gone With the Wind,” “The Wizard of Oz,” and “Casablanca,” which could pass as opulent gems, were highly influential. Even Greta Garbo,Marilyn Monroe, and Joan Crawford made public appearances wearing stunning rhinestone necklaces, while First Lady Mamie Eisenhower donned costume jewelry for her husband’s inaugural ball in 1953.
Starting in the late ’40s, high-end Parisian designers like Christian Dior took to costume jewelery, too. Dior was an early champion of Swarovski’s aurora borealis rhinestones, which were introduced in 1955 with an extra dimension of shimmering thanks to a chemical salt treatment that iridized the glass.
Alfred Philippe, trained as a fine jeweler at Van Cleef & Arpels, was one of the top innovators in costume jewelry during his stint as Trifari’s chief designer between 1930 and 1968. He brought his invisible-setting technique to smoothed non-precious stones known as cabochons, often incorporated into the hugely popular Trifari Crown pins.
Philippe also launched Trifari’s menagerie brooches known as Jelly Belly—each animal, whether it was a seal, poodle, duckling, or rooster featured a Lucite plastic belly smoothed into a pearl-like shape, set in sterling silver or gold plate. These pins, imitated byCoro and others, are highly collectible today, as are Trifari’s brooches—often exact copies of Cartier fine jewelry—fashioned into floral arrangements, miniature fruits, and American flags.
Around the same time, Miriam Haskell made intricate hand-crafted floral jewelry that was the toast of the Manhattan socialite scene and adored by Hollywood stars like Crawford and Lucille Ball. Her high-quality pieces incorporated gilt filigree, faux pearls, Swarovski crystal beads, Murano blown-glass beads, and rose montées, which were precut crystals mounted onto a silver setting with a hole or channel in the back. Eisenberg & Sons were also noted for their high-quality costume jewelry, particularly their replicas of 18th century fine jewels and the figural rhinestone pieces set in sterling silver.
Even fine jeweler Emanuel Ciner transitioned to costume jewelry in the 1930s, making the finest hand-crafted pieces possible. Ciner used Swarovski crystals and plated the metal that held the sparklers in places with 18-carat gold. Interlocking crystal squares were a hallmark of Ciner costume jewelry, as were tiny turquoise seed pearls, as well as Japanese faux pearls made of glass coated multiple times with a special glaze.
During World War II, the rationing of metal forced many costume jewelers such as Trifari to use sterling silver in their pieces, forcing their prices up. When the war ended, Trifari wished to return to inexpensive metals so it promoted its new products by dubbing them Trifanium, which was simply a basic metal that could be given a no-polish rhodium plating.
In the conservative ’50s, a time when matching sweater sets were considered proper, women wanted their jewelry to match, too, so costume jewelry was produced in “parures,” with matching earrings,broochesnecklaces, and sometimes bracelets. These jewelry sets are technically “demi-parures,” as they are too small to be considered a full suite of jewelry.
The ’50s and ’60s also saw a revival in the sentimental Victorian Era charm bracelet, a trend popularized by Jacqueline Kennedy and Elizabeth Taylor. Naturally, costume jewelers got in on the charm-making business, as young girls and women would add charms and lockets to their bracelets to signify meaningful moments in their lives.
As it turns out, given the craftsmanship and artistry put into costume jewelry, most people these days don’t consider it “junk” at all, as vintage costume jewelry, even pieces first brushed off as cheap plastic, is highly treasured by collectors.

No Blog Special this week, but keep checking back for amazing deals and remember.....


OUT WITH THE NEW AND IN WITH THE OLD BUY ANTIQUES!

Wednesday, May 9, 2012

Depression Glass


Thanks to Collectors Weekly for this great article on Depression Glass.
During the 1920s, 19th-century pattern-glassmanufacturers such as McKee,  Heisey, and Fostoria struggled as the real thing from Waterford and Baccarat, among other European manufacturers, became relatively inexpensive and plentiful in the United States. But when the Great Depression hit, Americans once again turned to pattern glass, which we know today as Depression glass, for entertaining and everyday use.
One of the biggest names in Depression glass was Hocking, which became Anchor Hocking in 1937. During the 1930s, Hocking was able to produce 90 pieces of glassware per minute, which meant it could sell a pair of Depression glass tumblers for only a nickel.
Contemporary collectors look for Depression-era Hocking in rare color-pattern combinations, or for limited-run pieces. For example, Hocking’s Cameo pattern was quiet common when it came to dinnerware, but a Cameo sandwich server in green or a covered butter dish in yellow is considered a prize. Similarly, Hocking made a lot of cups and saucers in Mayfair, but finding a footed console bowl in pink is difficult.
Hazel-Atlas was known for a subtle, ring pattern called Moderntone, which was mostly produced in cobalt and amethyst but can also be found in pink. Indiana Glass made bowls, plates, and tumblers in crystal and amber, but rare blue pieces occasionally turn up. Jeannette was known for its iridescent Floragold and translucent Floral patterns, the rarest of which are the footed, Floral compotes in pink or green.
Finally, before it became a part of Corning in 1936, Macbeth-Evans made a lot of Dogwood tableware in pink (“Wild Rose”) and green (“Apple Blossom”). Pink pitchers in the American Sweetheart style are especially sought-after.

ASK OUR EXPERTS

You asked for it and now it is back! ASK OUR EXPERTS Appraisal Fair will be held Saturday June 16, 2012 from 11:00 a.m. - 3:00 p.m.  Cost per verbal appraisal will be $5.00 per item with NO LIMIT on the number of items you bring!  Keep checking back for more info! 
The A.G.C.A.P. Dealer of the Month for May is Patsy Bienvenu.  Patsy specializes in Jewelry, Collectibles, and some furniture.  Her booth is located on Aisle 1 North Booth B-7.  Make sure you stop by and look at all she has to offer.  She has some unique items!  See the photo below
Now for the weekly Blog Special. This would make a great gift for Mom! When you mention this code word "Mother" you are entitled to 1 (one) free Antique gallery Cook Book when you purchase 1 (one).  This Blog Special is good from Thursday May 03, 2012 until 6:00 p.m. on Sunday, May 13, 2012.  This is our way of saying THANKS to all of our loyal customers!

Check Back Next Week and Remember.......
OUT WITH THE NEW AND IN WITH THE OLD.............BUY ANTIQUES!!!!!!!!!!!!!






Wednesday, May 2, 2012

ASK OUR EXPERTS

You asked for it and now it is back! ASK OUR EXPERTS Appraisal Fair will be held Saturday June 16, 2012 from 11:00 a.m. - 3:00 p.m.  Cost per verbal appraisal will be $5.00 per item with NO LIMIT on the number of items you bring!  Keep checking back for more info! 


The A.G.C.A.P. Dealer of the Month for May is Patsy Bienvenu.  Patsy specializes in Jewelry, Collectibles, and some furniture.  Her booth is located on Aisle 1 North Booth B-7.  Make sure you stop by and look at all she has to offer.  She has some unique items!  See the photo below



 I would like for you to read this article on something that we get asked about a lot.  Vaseline Glass.





Thanks to Collectors Weekly for the following article on Vaseline Glass!


Also known as uranium glass, vaseline glass glows bright green under ultraviolet light, thanks to the uranium oxide added to the glass in its molten state. In natural or indoor light, vaseline glass has a yellow or yellow-green tinge with an oily sheen, which is where its name comes from. Vaseline glass is not to be confused with Custard glass and Burmese glass, which also glow under ultraviolet light. While vaseline pieces are transparent or translucent, these pieces are opaque.
Uranium oxide was first used as a coloring agent in the 1830s; vaseline glass was produced commonly from the 1840s through World War I, though it was most popular from the 1880s onward. A variety of companies produced it, including Adams & Co.,Steuben Glass, Cambridge Glass Co., and Baccarat, which released its first vaseline glass piece in 1843 under the name “cristal dichroide.”
Different companies called its distinctive color different names, including citron, jasmine, golden green, mustard, Florentine, and canary. Pieces could also have different exterior color finishes, like satin, opalescent, iridescent, rubina verde, and yellow-green.
Vaseline glass was produced in a variety of styles over the years, from Victorian to Art Deco. During the Great Depression, some manufacturers added iron oxide (rust) to the vaseline glass mixture in an effort to make the glass look greener in natural light. As a result, vaseline-glass purists exclude this Depression-era glass from the vaseline-glass family, since vaseline glass in the traditional sense does not include iron oxide in its composition. Carnival glasswas also produced in vaseline glass varieties, which generally had a marigold, iridescent look.
Although making dinnerware out of uranium may seem like a bad idea today, companies produced an endless variety of vaseline glass dinnerware pieces, including wine servers, water pitchers, mugs, and butter dishes, along with more decorative shapes like candlesticks and paperweights.
Around 1943, the U.S. government halted the production of vaseline glass altogether, as uranium became a heavily regulated substance. In 1958, uranium oxide was deregulated, and the production of vaseline glass resumed. This time, however, producers used depleted uranium in place of more radioactive natural uranium.
Practically since its invention, vaseline glass has carried the burden of a bad reputation. Stories of vaseline glassblowers dying young from lung cancer raised the question of radiation poisoning. On average, vaseline glass pieces are about 2 percent uranium by weight, but some pieces from the beginning of the 20th century are up to 25 percent uranium by weight.
The U.S. Nuclear Regulation Commission studied the health risks of vaseline glass in its 2001 report, “Systematic Radiological Assessment of Exemptions for Source and Byproduct Materials.” This report agreed largely with what collectors had been saying all along—radiation from the glass was equally (or, in some cases, even less) harmful than the background radiation levels we are exposed to every day.
Vaseline glass is still produced today, though in limited quantities—uranium is a highly regulated and expensive ingredient. Current manufacturers includeFenton Glass, Boyd Crystal Art Glass, Mosser Glass, and Summit Glass, in addition to smaller shops like Gibson Glass. All new pieces are decorative and not intended for use as dinnerware.

Now for the weekly Blog Special.  When you mention this code word "Mother" you are entitled to 1 (one) free Antique gallery Cook Book when you purchase 1 (one).  This Blog Special is good from Thursday May 03, 2012 until 6:00 p.m. on Sunday, May 13, 2012.  This is our way of saying THANKS to all of our loyal customers!

Check Back Next week for more and don't forget to visit The Antique Gallery of Houston's Facebook Page!!!!

Remember OUT WITH THE NEW AND IN WITH THE OLD.........BUY ANTIQUES!!!!!!!!!!!!!!!!!