Thursday, August 2, 2012

Labor Day is Almost Here!

Can you believe that in a few short weeks the kids will be back in school and Labor Day will be here?  I am ready for some cooler weather ( 75 - 85), but I don't know if I am quite ready for summer to be over.  I love sitting outside in the evening drinking ice tea on the patio and enjoying the slight breeze.  It is a well known fact around my house that I am cold natured (I have the thermostat on 80 when I am home alone), so the heat does not bother me, but I sure won't be sitting outside in December!

This month's A.G.C.A.P. Dealer of the Month is Pat Bufkin.  Pat has been a member of The Antique Gallery of Houston's family for 23 years.  She specializes in Primitives and Cottage Style Antiques.  Her booths are  located on Aisle 2 North Booth C-10 and Aisle 4 South Booth X-4 A & B.  Please stop by and check out what she has to offer.  There is always something unique in her booths!  Just take a look below!


Well, last month we ran a Blog Special.  WE HAVE A WINNER!!!! Kalee V. won a $25.00 gift certificate donated by Dealer # 461.  Congratulations Kalee!  Keep reading for this month's special!

Next we have a great article from Collectors Weekly on Vintage Ladies Hats.  Very interesting and we have loads of them all over the mall at great prices!


Ladies Vintage Hats

Thanks to Collectors Weekly for this article!
Nothing tops a beautiful outfit like a perfect hat. Whether it’s a lacy headdress decorated with velvet and tulle from the mid-Victorian era or a wide-brimmed, "flower power" sun hat of chenille daisies from the 1960s, hats reflect and define the fashions of their day.
During the 1860s and ’70s, the popular drawn bonnets of the mid-19th century became oval, framing the face more naturally than the round ones that had preceded them. These spoon bonnets were decorated with ribbons, lace, and flowers made of organdy and silk. Straw skimmers, also known as rounds, were worn outdoors—the best of these had patterns of silk braids sewn onto their tops.
By the end of the century, hats were moving in two directions. Some were demure, almost too small for the heads they were perched on. Others had high-domed crowns and were piled high with loops of ribbon and drapes of rich velvet. Wide Gainsborough hats, sometimes called cartwheels, were the exception to this general rule. These showy chapeaux were decorated with so many feathers that laws had to be passed to prevent entire species of birds from going extinct.
As the 20th century dawned, the Gibson Girl dominated fashion. The hallmark of the look was an hourglass figure (achieved by painfully tight corsets) and a big hat up top. Gainsboroughs were still worn, thanks to their popularization in the 1907 musical "The Merry Widow." Smaller, but no less ornate, pompadour hats were a mirror of the popular hairstyle of the same name. By the end of the century’s first decade, Edwardian fashions were in full swing, resulting in black velvet hats trimmed with ostrich feathers and velvet-and-silk flowers.
In the years before and after World War I, gigantic garden hats were still in vogue, but other trends were having an impact. Hats resembling berets and turbans began to appear, as did Musketeer hats. Tricorne hats, motoring hats, and straw boaters all had good runs toward the end of the decade. And as a precursor of the decade to come, close-fitting cloche hats were introduced.
Women in the 1920s went crazy for hats. In addition to the ubiquitous cloche, some with wide swooping brims, some without, women wore sculptural hats resembling airplane wings or actual crowns. Felt hats were embroidered with Art Deco flowers, and kits were sold for just $.89 so that women could make their own "crushers," as they were called. Actress Louise Brooks made it acceptable to wear pokes and helmet hats, and so-called Speakeasy hats were studded with sequins and costume jewels.
Things sobered up a bit in the 1930s, but only a bit. Black Sou’wester hats made of braided hemp continued the helmet look. In fact, straw hats went from garden to dressy, as straw cloches were woven with ecru to resemble smart tweeds. Knit turbans took off thanks to Greta Garbo, the pillbox was introduced, and women even took to wearing sequined or rhinestone-accented calot caps, which resembled large yarmulkes and were first worn by the ancient Greeks. Colorful berets and pirate caps, as well as felt or stitched geometric Dutch Boys, added to the decade’s sense of style.
During World War II, the fedora reigned, mostly due to Ingrid Bergman’s look in the 1942 film Casablanca. Crocheted snoods designed to keep hair from getting tangled in machine parts were a counterpoint to Rosie the Riveter’s famous red with white polka dot headscarf. After the war, berets of crushed velvet and printed barkcloth gained ground, as did bandeaux, which weren’t really hats but looked like them from the front when padded and worn like a tiara.
In the 1950s, hats almost resembled the costume jewelry of that period. The mushroom cloche and the melon hat were just two of the hats that took their shapes, and names, from food. Celebrities such as the Duchess of Windsor and Gloria Swanson wore casques, sailors, and large-brim hats interchangeably. Mamie Eisenhower wore an Air Wave hat to her husband’s first inauguration. Small but visually arresting cocktail hats were decorated with everything from dyed feathers to faceted beads, while bowlers, rollers, and Bretons were perfect for everyday wear.
Finally, in the 1960s, hats reflected the rising dominance of youth culture. The decade began with turban-like bubble toques made of feathers, prints, or mesh. Felt conehead caps and zippered Bobbie helmets exuded a CarnabyGainsboroughs, which now seemed entirely in step with the trend toward natural looks, returned to the fashion stage for yet another bow.


Now for this month's BLOG SPECIAL.  Just go to the A.G.C.A.P. table located at the end of Aisle 2, near the kitchen (With the A.G.C.A.P. cookbooks) and fill out an entry form and place it in the container.  You  MUST include the code word or your entry will not be considered!  We will then draw a winner on September 01, 2012 and notify them by Tuesday September 04, 2012.  Only 1 entry per person per month,  offer extends only to customers of The Antique Gallery of Houston.  Dealers and employees of The Antique Gallery of Houston are not eligible to win.  Gift Certificate will be good only for purchases made in the A.G.C.A.P. Dealer's booth who donated the Gift Certificate .  This month the code word is
"BREEZE"


Don't forget to check out our face book page Antique Gallery of Houston!


And remember OUT WITH THE NEW AND IN WITH THE OLD BUY ANTIQUES!!!!!!


Check back next month for more!!!!!!